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Submitted by Comments:
Name: RodneyTaica
From: RodneyTaica
E-mail: jpwllgt@course-fitness.com
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Added: February 5, 2024 Delete this entry  Reply to entry  View IP address  
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From: Eugeneaddic
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Submitted by Comments:
Name: Sunburstxbg
From: Sunburstxbg
E-mail: ashleyshanaiiii@gmail.com
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Submitted by Comments:
Name: Roberttoity
From: Roberttoity
E-mail: fkbescfiia@gmail.com
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Submitted by Comments:
Name: Jameshem
From: Jameshem
E-mail: zima33221100@mail.ru
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Submitted by Comments:
Name: Stevekes
From: Stevekes
E-mail: kqklw@course-fitness.com
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Submitted by Comments:
Name: aphmztx
From: aphmztx
E-mail: aaslffq@gmail.com
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Added: February 4, 2024 Delete this entry  Reply to entry  View IP address  
Submitted by Comments:
Name: Ilonadoppy
From: Ilonadoppy
E-mail: froeach12@rezka.wtf
Всем привет!
Что, по вашему мнению, помогает разбавить жизненную рутину? Дает возможность отвлечься от ежедневных забот, вырваться из топкой затягивающей обыденности?
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Кино - лучший вариант. Искусство большого экрана стало частью нашей жизни и порой мы не замечаем, когда они становятся частью каждого.
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Submitted by Comments:
Name: [url=https://venddesign.com/]d
From: Robertrek
E-mail: venddesign2222@outlook.com
Graphic design, as an ever-evolving field, has witnessed a transformative journey through various trends and styles. In the early 2000s, a significant shift took place as designers gravitated towards the philosophy of minimalism, redefining the visual language and leaving an indelible mark on the industry.

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The minimalist wave that swept through graphic design during this period was characterized by clean lines, subtle color palettes, and a focus on functionality. Brands embraced this aesthetic, recognizing its ability to convey a sense of modernity and sophistication. Logos, in particular, underwent a metamorphosis, shedding intricate details for streamlined, timeless designs that resonated with a digital audience.

Digital media played a pivotal role in propelling minimalism to the forefront. As the online landscape expanded, the need for clear and intuitive design became paramount. User interfaces embraced simplicity, providing users with seamless and enjoyable experiences. The emphasis on whitespace and simplicity in layout became a hallmark of this era, reflecting a user-centric design philosophy.

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Beyond aesthetics, minimalism influenced a shift in mindset among designers. The mantra of "less is more" became a guiding principle, encouraging the elimination of unnecessary embellishments. Every element had to serve a purpose, aligning with a broader commitment to purposeful design.

In essence, the impact of minimalism in the early 2000s was not just a visual trend but a philosophy that reshaped the core principles of graphic design. It emphasized the importance of restraint, purpose, and user-centricity. As we navigate the design landscape today, the echoes of minimalism continue to reverberate, reminding us that simplicity is a timeless and powerful tool in visual communication.
 
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Submitted by Comments:
Name: Orvilleagiff
From: Orvilleagiff
E-mail: liliananikonova52@mail.ru
Why a rare image of one of Malaysia’s last tigers is giving conservationists hope
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Emmanuel Rondeau has photographed tigers across Asia for the past decade, from the remotest recesses of Siberia to the pristine valleys of Bhutan. But when he set out to photograph the tigers in the ancient rainforests of Malaysia, he had his doubts.

“We were really not sure that this was going to work,” says the French wildlife photographer. That’s because the country has just 150 tigers left, hidden across tens of thousands of square kilometers of dense rainforest.

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“Tiger numbers in Malaysia have been going down, down, down, at an alarming rate,” says Rondeau. In the 1950s, Malaysia had around 3,000 tigers, but a combination of habitat loss, a decline in prey, and poaching decimated the population. By 2010, there were just 500 left, according to WWF, and the number has continued to fall.

The Malayan tiger is a subspecies native to Peninsular Malaysia, and it’s the smallest of the tiger subspecies in Southeast Asia.

“We are in this moment where, if things suddenly go bad, in five years the Malayan tiger could be a figure of the past, and it goes into the history books,” Rondeau adds.

Determined not to let that happen, Rondeau joined forces with WWF-Malaysia last year to profile the elusive big cat and put a face to the nation’s conservation work.

It took 12 weeks of preparations, eight cameras, 300 pounds of equipment, five months of patient photography and countless miles trekked through the 117,500-hectare Royal Belum State Park… but finally, in November, Rondeau got the shot that he hopes can inspire the next generation of conservationists.

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“This image is the last image of the Malayan tiger — or it’s the first image of the return of the Malayan tiger,” he says.
 
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